Personally, SR Auto-Align for me was giving me real, usable options. What exactly was it that you found better with Sound Radix? I did contact SR support about what I was hearing initially with the two wondering what the differences were in accounting for thatJeamsler, What your application is and what you goal is can make a big difference. I tried both and thought the melda one was better initially for my application but after working and listening to both I ended up liking the SR Auto Align better. I'd warmly suggest experimenting with different sources (guitars, drums etc) and simply pick whichever tools work best for you. Furthermore, Auto-Align offers alternate correlation point selection which allows optimizing phase correlation of while maintaining a delay between some mics for artistic reasons and can help dialing a phase-optimized pre-delay on reverb processors etc.įWIW, not all correlation algorithms are made equal. If all the close mics are delayed to the distant mics, in reality, you'll be pushing the performance late to the time of arrival of the distant mic which in turn will mess up with how the track moves. Technically speaking, with Auto-Align you have more flexibility on your alignment references configuration, it doesn't use an all-pass filters which tend to soften the transients of the original recording and it can do both negative and positive delay correlation compensation, which is crucial to maintaining the performance time of the musician. I did contact SR support about what I was hearing initially with the two wondering what the differences were in accounting for that and their insightful reply is below.

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